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The whole job

The best apps for actors in 2026, compared honestly

Updated 24 August 2026

Every "best apps for actors" list you can find is published by one of the apps on it. This one included. So before anything else: Subtext publishes this page, and Subtext is in the list.

What I can do is be straight with you, and put the prices in. Every figure below is from the App Store listings on 22 August 2026, including the in-app purchase prices, which most of these comparisons leave out. They are the whole story.

The list, with the numbers

AppWhat it isWhere it runsYearlyUpdated
SubtextLines, tape, edit, send, script, table readiPhone, iPad$79.99Aug 2026
coldReadLines, rehearsal, self-tapeiPhone, iPadfrom $83.99Dec 2022
LinusLines, AI reader, self-tapeiPhone, iPad, Android, web$99.99, or $199.99Aug 2026
RafySelf-tape readeriPhone, iPad$99.99 to $249.99Aug 2026
ScenePartnerAI line readeriPhone, iPad$199.99, or $459.99Aug 2026
ActingPalAI scene partneriPhone, iPad$9.99/mo, no annual listedAug 2026
Rehearsal ProScript management, rehearsaliPhone, iPad$19.99 onceOct 2025
LineLearnerRecord and play back your linesiPhone, iPad$3.99 onceJul 2024
Script BuddyRehearsaliPhone, iPadfree, no IAP listedJul 2026

Where an app has two yearly figures, it has two tiers. "What it is" is how each app describes itself on its own listing, condensed.

The prices are not close

Look at the yearly column, because that is how most actors end up paying.

The AI line readers cluster between $99.99 and $459.99 a year. ScenePartner's top tier is $459.99. Rafy's runs to $249.99. Linus charges $99.99 for its middle tier and $199.99 for the one without limits, and its own site describes the cheaper tier as capped: a set number of scripts a month, ten pages each, a hundred lines a scene. A full play or screenplay does not fit in that.

Subtext is $79.99 a year, or $12.99 a month, with no cap on pages, lines or scripts. That is less than every subscription app on this list, including the tiers that limit what you can put in them.

Check what happens when the script is long

This is the part that catches people out, and it is worth doing before you pay anyone.

Several of these price the cheap tier around a short scene: a few pages, a capped number of lines, a monthly allowance of uploads. That is fine for audition sides. Then you book a play, or the full screenplay arrives, and the tier you are on cannot hold it. The upgrade is not a small one either: on Linus it is the difference between $99.99 and $199.99 a year.

So read the limits, not the headline price, and check them against the longest thing you will realistically put in.

But the price is not really the argument

Here is the thing worth understanding before you pay anyone, us included.

Most of these are simply line-learning apps. But that is one part of the job, and it is the easy part to build. The actual job of an actor goes like this: the sides land, you learn them, you get someone to read with you, you tape it, you edit it, you send it somewhere casting can watch it. Then, if it goes well, you book it and a whole script arrives and a different job starts, which is marking it up, understanding it, and taking it into the room.

An app that only reads lines at you leaves you to solve the rest with a video editor, a file transfer service, a PDF annotator and a friend with a free evening. Those cost money and attention too, and they cost it at eleven at night when the tape is due tomorrow.

So the question is not which line reader is cheapest. It is how many apps you still need afterwards.

Subtext is $79.99 a year for everything an actor could theoretically need: a scene partner that reads every other part out loud and listens while you say yours, a real human reader on the actual tape, a self-tape studio with a teleprompter and an editor, audio cleanup, hosting so the finished tape goes out as a link that plays, script markup, script analysis, and a full table read. One subscription, and nothing else to buy.

Which one to pick

Subtext is not in this table. We publish this page, so our own pick sits underneath it as an argument rather than beside everyone else's as a neutral row.

AppPick it if
coldReadfrom $83.99/yr You want the app the most working actors already have, and it does memorization properly. Check the date first: no update since December 2022, so it has not seen the phone you own or the way tapes are requested now.
Rehearsal Pro$19.99 once You are done with subscriptions and want to own your tool outright. It is the only app here that lets you, and over three years it is cheaper than everything else on this page. Script management and rehearsal, run by professionals for years.
LineLearner$3.99 once You only want to learn lines, you would rather hear real voices, and you want to spend four dollars once. You record the lines yourself and play them back with yours muted. For that single job it is the best value here by a distance.
Linus$99.99 or $199.99/yr You are on Android, or you need to work in a browser. It is the most active of the newer AI-reader apps and the only one beyond iPhone and iPad. Subtext cannot help you at all in either case, and nothing else on this page changes that.
ScenePartner, Rafy, ActingPal, Script Buddyfree to $459.99/yr None of the above fits. All newer AI readers, all actively updated. Check the yearly figure before you commit: ScenePartner's Pro tier is $459.99 a year and Rafy's top tier is $249.99.
Ours

Subtext, $79.99 a year

It runs lines out loud, records and edits the tape, hosts it as a link, marks up the whole script, answers questions about it, and plays it back as a table read.

Pick it if you want one app for the whole job instead of four that each do a piece, and if you want a real human reading opposite you on the tape.

Do not pick it if you are on Android, you need a browser version, or your phone cannot run iOS 17.6. And do not take my word for any of this: it is free to start, with every feature unlocked, so run a real audition through it first.

The question the numbers cannot answer

Most of the newer apps will read the other character's lines while you record your self-tape, and leave that synthetic voice in the finished file. It solves a real problem: it is two in the morning, the tape is due, and nobody is awake.

We will not do it. The entire purpose of Subtext is to get you, a human, more work. Take it from me, who has had over 20 years in the business, and has spoken to prominent casting directors: if you send a tape with a synthetic voice as your scene partner, you are toast. More than that, some of you reading this might be new to the game, so let me tell you this, the relationship with your casting director is as important as the relationship with your agent. This relationship is longer and deeper than you think. The good casting directors know talent when they see it. You don't have to book the job to win an audition. They remember you, even if you're not right for this job, you might be exactly who they pitch for the next one. You never get a second chance at a first impression. When it comes to your tape, do not send in a tape with a synthetic voice because when it comes to the cost of things, what is the point of paying for any service if it costs you the job?

So in Subtext the voices rehearse with you at any hour, and for the tape you send a friend a link. They record their side once, in a browser, and their real voice is on every take. Magic.

How to actually choose

  1. Look at the yearly price, not the monthly one. Monthly figures sit close together. Annual ones run from four dollars, once, to $459.99 a year.
  2. Read the limits. Pages, lines and uploads are where the cheap tier stops being cheap.
  3. Check the last-updated date. It tells you whether anyone is still home.
  4. Count the apps you would still need. If the line app does not tape, and the tape app does not send, you are running three subscriptions and a file transfer at midnight.
  5. Decide the AI-on-your-tape question before you pay for anything.
  6. Run a real audition through the free tier. Every app here has one. A tool that feels clever in a demo and awkward under deadline is the wrong tool.

If you want the longer argument for why we think the whole job belongs in one place, it is here: the best app for actors has to do the whole job.

All prices and figures are from the US App Store on 22 August 2026 and will drift. If anything here is out of date or wrong, tell us at hello@getsubtext.co and we will correct it.

Questions actors ask

What do actor apps cost?

From $3.99 once to roughly $460 a year, which is a wider spread than any other software category an actor buys. The table above has each one with its in-app purchase tiers, because the sticker price and the price you actually pay are frequently different numbers.

Why are some actor apps so expensive?

Usually because they charge per script, per page, or per minute of AI voice rather than for the app itself. That model looks cheap on the pricing page and gets expensive in a busy month, which is exactly the month you can least afford to be metering yourself.

Which actor apps have not been updated recently?

Several, and it is worth checking before you subscribe. The Updated column in the table above is the last release date on the App Store, and an app that has not shipped since 2022 is a bet on a developer who may have moved on.

Should I pay monthly or yearly for an actor app?

Yearly is cheaper almost everywhere, often by close to half, but only if you audition year round. If your work comes in bursts, a monthly plan you cancel between jobs can beat an annual one you forget about, and one app here sells a three-day pass for exactly that pattern.